The Culture of Uttarakhand has its roots in past. Among the diverse cultures and traditions of India it is one of the unique culture which can be seen prominently in its various forms of art. Uttarakhand folk dance is not as complex as the classical dance forms but is something which is beautiful to witness. Its a reflection of the deep sited beliefs and traditions of the local people which is performed to express joy & celebrate the arrival of new season.
Barada Nati, Bhotiya Dance, Chancheri, Chhapeli, Choliya Dance, Jagars, Jhora, Langvir Dance, Langvir Nritya, Pandav Nritya, Ramola, Shotiya Tribal Folk Dances, Thali-Jadda and Jhainta are some of the folk dances performed in various occasions in Uttarakhand.
The Barada Nati folk dance is a popular dance of the Jaunsar Bhawar area of Chakrata Tehsil in Dehradun district. The folk dance is performed on the eve of some religious festivals or on the occasion of some social functions. Both boys and girls take part in the dance dressed in colourful traditional costumes.
This is a group dance of Danpur Patti region of Bageshwar District in Kumaon. Both men and women dance in a semi-circular formation with gradually increasing pace putting across unbridled joy.
Chhapeli dance is performed by couples with the female carrying a mirror in her left hand and a colored handkerchief in the other. The male plays a Hudukka on his left shoulder accompanied by others playing the Hurka, Manjira and Flute. The dance is a duet that outlines the joys of romance. The woman partner (sometimes also a young boy) dances with a smile and elegant waist movements, either in admiration of her beauty and charm or mocking her ways of expressing love.
Dating back to over a thousand years, the Chholiya Dance has its origins in the warring Khasiya Kingdom of Khasdesh, when marriages were performed at the point of the swords. They were united by the Chand kings who arrived' on the scene in the 10th century. In Nepal, the word Khasa is still asynonym for Kashatrya, and in Khasdesh, too, they took on the customs of the Rajputs, who were themselves honorary Kshatryas.
Keeping the old tradition alive, the Rajputs dance this at their weddings as a part of the marriage procession itself, led by the male dancers who go on dancing till they reach the bride's house. Performed by the Rajputs with sword and shield in pairs, the drummers are usually Harijans called Dholies, while the Turi and Ransing are played by Bairagis, Jogis or Gosains. The Turi and Ransing are typical Kumaon instruments. Perfectly synchronized, and marked with jumps and turns of the body, the dancers show several sword-fighting feats. Attired in the material costu